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Boris Fitinhof-Schell : ウィキペディア英語版 | Boris Fitinhof-Schell
''Baron Boris Alexandrovich Fitinhoff-Schell'', a.k.a. ''Baron Boris Vietinghof-Scheel'' or ''Baron Schell'' ((ロシア語:''Фитингоф-Шель, Борис Александрович''), translit. Boris Aleksandrovich Fitinhof-Shel') (1829? in Morshansk – in St. Petersburg, Russia) was a Russian composer. Fitinhoff-Schell was trained at the Moscow Conservatory under Field and Henselt, and was a classmate of Tchaikovsky's. His most noted work are the ballets ''The Haarlem Tulip'' (1887) and ''Cinderella'' (1893), composed for the Imperial Ballet of St. Petersburg. He also scored four operas for the St. Petersburg Imperial Opera, which were commissioned by Ivan Vsevolozhsky, director of the Imperial Theatres.〔(Opera Glass )〕 His ''Wedding March'', scored especially for the wedding of Tsar Nicholas II and Empress Alexandra Fyodorovna is still occasionally heard. Fitinhoff-Schell is also noted for his ''Fantastic Overture'' to his opera ''Mazeppa (1859)'', in which whole-tone scales were profusely employed. Franz Liszt greatly appreciated this piece, describing its effect as ''" ... terrifying to all long and protruding ears."'' Liszt himself made use of the whole-tone scale in his ''Divina Commedia'', illustrating the Inferno, and he used it systematically in his posthumously published organ and late piano pieces. == Works ==
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